James H. Cones The Spirituals and the Blues Essay -- Book Report Con

James H. chamfers The Spirituals and the discolorThe leger, The Spirituals and the Blues, by James H. Cone, illustrates how the slave spirituals and the blue devils reflected the struggle for glum survival under the harsh reality of slaveholding and segregation. The spirituals are historical songs which speak out about the rupture of barrenness lives in a religious sense, telling us about plenty in a land of bondage, and what they did to stay united and somehow raise up back. The blues are somewhat different from in the spirituals in that they bear witness the secular aspect of black life during times of oppression and the condenser to survive. James H. Cones portrayal of how the spirituals and the blues aided blacks by dint of times of hardship and adversity has very few flaws and informs the reader greatly about the importance of music in the lives of Afri tin can-Americans. The author aims to both ensure the spirituals and blues as cultural expressions of black pe ople and to reflect on both the theological and sociological implications of these songs.James H. Cone was born on August 5, 1938 in Fordyce, Arkansas. He attended three small colleges, including a theological seminary, before receiving his Masters and Ph.D. from the prestigious Northwestern University. Cone is wed and has two children. He has held membership to many prominent boards and organizations including the National deputation of Black Churchman (member of board of directors), American Academy of Religion, Congress of African Peoples, and Black Methodists for Church Renewal. His career includes being a professor of organized religion and theology at Philander Smith College, Adrian College, and sum of money Theological Seminary, where he now teaches. James H. Cone is now an American clergyman and author. Cone achieved his greatest acclaim in 1969 with the ground-breaking halt, Black Theology and Black Power. This book attracted a great deal of attention due to its defense of the black power movement from a Christian point of view. He has since written many theological works including Risks of Faith, where he provides vital insights into American realities and the possibilities for American theology. Cone has been the Charles A. Briggs Distinguished Professor of Systematic Theology at Union Theological Seminar in New York City since 1977.Cones The Spirituals and the Blues is split into two distinctive section... ...t and also talks about how blues could be classified as a secular spiritual. His points can still be easily understood by the reader, but I feel that he nontheless contradicts himself while making these statements.Overall, I thought the book was very enlightening when it came to the point of revealing the central theme and metrical foot of these two distinct but also similar types of songs. The spirituals were built on a steadfast belief in God, while the blues unattended God and accepted the joys and sorrows of life. Altho ugh they were somewhat different, both partake of the same black experience in the United States. The spirituals and the blues both aided blacks by times of severe hardship and suffering. It was interesting to me to find out how flat through oppression, blacks who were considered believers and those who were considered non-believers remained faithful to the fact that one day, they would beat their oppressors and situation. I wish the book most when it came to the point of identifying that the spirituals and the blues are not songs of discouragement or defeated people, but represent one of the greatest triumphs of a peoples in the history of the world.